'60s pop singer and songwriter Gene Pitney died early Wednesday of a heart attack in Cardiff, Wales, where he had performed the night before. In 1993, Dawn Eden interviewed Pitney for Goldmine magazine; today National Review Online has her reflections on his life and career:

When the hits stopped coming, Pitney knew when to ditch the record-biz merry-go-round in favor of his always-supportive live audiences. He wed his high-school sweetheart, stayed married, raised three sons, invested well, and never wrote a kiss-and-tell tome.

The author of Ricky Nelson's unassuming hit "Hello Mary Lou" never tried to be an Artist with a capital A. He avoided the clichés of 1960s rock stardom at every turn — which is why he's so much more interesting, and in many ways more artful, than so many of the performers who replaced him on the charts.

The article includes several anecdotes from her interview with Pitney -- there's a funny one about the sound effects his record label used to create a fake live album. Eden and Pitney agreed that his voice had matured, lost that "high-pitched nasal sound," which made me wonder if he had re-recorded any of his hits later in his career. (He had.) It would be interesting to hear the difference.

In looking for the answer to that question, I was intrigued to discover that Pitney had done two albums with country music legend George Jones, backed by the Jordanaires.

Pitney is one of three songwriters of note that we've lost in the last couple of weeks. Buck Owens was another. The third? You Don't Know her (probably), but you know her songs. Expect a tribute here late tonight. (UPDATE: Come back tomorrow night.)