Seattle Western Swing Music Society: The Roots of Western Swing

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Seattle Western Swing Music Society: The Roots of Western Swing

"The only sounds that crept in from the outside were from the radio networks and the powerful stations beaming their signals down from Chicago or up from New Orleans. These stations featured the pulsating sounds of jazz: Louis Armstrong, Earl Hines, and Jack Teagarden were three of the favorites. This being the only outside influence on Western Swing, Southwestern musicians drew from their own cultures for material and soon, the rich mixture of Blues, Ragtime, Dixieland, Cajun, Mexican, German, Anglo-American, and Cowboy Traditions began to churn and blend. The result was a brand of music that was so all-encompassing, so pervasive throughout the area, that there was no need to distinguish it from any other kind of music. It all became one. The repertoires varied from city to city, but basically? it was the same sound. And when there is only one choice, there is no need for a label to distinguish it from another genre. It was simply music to dance to."

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This page contains a single entry by Michael Bates published on July 15, 2008 6:29 PM.

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