Smoky Dacus: Texas Playboys drummer remembers his work with Bob Wills

A little diversion from all the political stuff: I just came across a fascinating unpublished 1981 interview with Smoky Dacus (1911-2001), the original drummer for Bob Wills and His Texas Playboys. The interview was conducted by Scott K. Fish for Modern Drummer magazine. Dacus tells of his early days growing up in Blackwell, Oklahoma, getting recruited to the University of Tulsa to play in the college's dance band, and Bob Wills discovering him and making him the core of the Playboys' distinctive rhythm section. Dacus describes the motivation behind Wills's revolutionary idea of adding drums to a string band, tells about his role models and inspirations as a drummer, and recounts the band's demanding schedule and wild popularity.

After rediscovering the interview, Fish decided to publish the complete transcript; as only short excerpts were used by the magazine.

Here are direct links to the three parts of the interview:

• Smokey Dacus: Pioneer of Western Swing Drumming: Pt. 1
• Smokey Dacus: Pioneer of Western Swing Drumming: Pt. 2
• Smokey Dacus: Pioneer of Western Swing Drumming: Pt. 3

Here's a great anecdote about Bob Wills's habit of breaking meter when singing or playing fiddle:

A while ago I mentioned Earl Hines. Well, Bob loved Blues tunes. Earl Hines' recording of Rosetta was absolutely one of my tops. Bob decided he wanted to learn Rosetta. This was getting up in 1937 or 8, you know. Bob had a great big two-story house. All his family lived with him. All of his sisters and brothers, and Aunt Lou [sp.?] and Uncle Peak [sp.?] -- the whole bunch. So he had to have a great big house. We'd go out to Bob's and rehearse on a night. Like we were off -- which had to be like a Sunday night or something -- if we hadn't played a theater someplace that day.

So, okay. Bob wanted me to bring my old 78 of Earl Hines Rosetta. Bob lived right on the Northwest corner of Second and Peoria in Tulsa. Now, right straight across the corner on the Southeast was one of these little, long, one-story grocery stores. Just a flat roof.

So, okay. I brought my record and Bob played it. He's learning the words and the melody and all. But he kept breaking meter. When he'd sing, "Rosetta-aaaa," he'd hold it too long. After about 30-minutes of that I couldn't stand it anymore. I'd been [with the band] about three years then. I went over to the phonograph machine and I took that 78 of Earl Hines off there and I started to the front door.

I said, "Bob, you've got the right to play anything you want to play. But you do not have the right to mutilate!" And I walked out on the front porch and I sailed that 78 catty-corner across the street and it come down on top of that grocery store over there. We laugh about it yet. As far as we know it's still laying up there. He just wasn't going to tear old Earl Hines' band up like that.

SKF: Did he ever get it right?

SD: No!

SKF: He never did?

SD: Never did. And he never got it the same way twice! There's 32 bars. A standard chorus. Depending on how big a breath he got when he'd sing, "Rosetta-aaaa," it might wind up with 31 bars. The next night it might wind up 31-and-a-half. And the next time we played it -- it might wind up 33 and-a-half. Our piano player, Al Stricklin, tells this story in is book, My Years with Bob Wills.

That's an interesting piece of Tulsa history -- Bob's address at 2nd and Peoria, in the same neighborhood where, five blocks away, Paul Harvey was a high schooler and embarking on his own radio career.

There are a few transcription errors that come from Fish's lack of familiarity with people and places Dacus mentions. "O. W. Mayall" is O. W. Mayo, and I'm pretty sure "Poplar City" is Ponca City, which is not far from Dacus's hometown.

BONUS: After the jump (if you're on the homepage), a video interview by Jack Frank with Smokey Dacus and rhythm guitarist Eldon Shamblin at Cain's Ballroom, home of the Texas Playboys: