Music: September 2005 Archives

Here are some useful reviews of various Bob Wills compilations.

Junior Barnard was an amazing guitarist. (Bio and video at this link.) Junior takes a chorus on "Sweet Georgia Brown" (300 KB MP3). Here's Junior taking the final chorus of "Fat Boy Rag" (300 KB MP3). Junior's "coal mine chorus, low-down and dirty" on "Blackout Blues" (300 KB MP3). Rock and roll? These were all recorded about 1946.

Track by track guide to the "Take Me Back to Tulsa" box set -- when and where recorded, who's singing and playing.

Was getting a tire fixed this afternoon, leafing through the September 2005 issue of Spin magazine. Every posed shot featured sullen glares, hideous grimaces. Are modern popular musicians not allowed to smile? Is it against the rules to look like you're having fun? They used to be allowed to smile:

A groanworthy music theory joke, which starts like this:

A 'C,' an E-flat, and a 'G' go into a bar. The bartender says: "Sorry,but we don't serve minors." So the E-flat leaves, and the C and the G have an open fifth between them....

It gets worse, thankfully.

How I found the above joke: I noticed I had a couple of visits from a Technorati search for "Bob Wills", so I went to see who else was blogging about the Man from Turkey, Texas, and found this entry, which includes this bit of wisdom:

Anyone who doesn't want to dance (however badly) while listening to western swing has a heart made of stone.

Indeed.

The blogger responsible for that sententia sapiens is a clarinet teacher from Fort Worth who reads Latin for fun, has a crush on George Will, loves puns, chicken fried steak, modern art, chips and salsa, grand opera, Dr. Pepper, and Whittaker Chambers' Witness, which book is the topic of her most recent entry. Only in the blogosphere....

Dang it, Bobby! I've got some serious political blogging to do and you go and distract me.

Bobby at Tulsa Topics took advantage of a sleepless night to go searching through Google Print -- Google's attempt at making dead-tree knowledge searchable.

He finds this: San Antonio Rose, a biography of Bob Wills by Charles Townsend.

I searched the text for KVOO* and found an interesting story about the sponsorship of the Texas Playboys' daily half-hour broadcast in 1935. Wills bought the time from the station ($12,000 for the year), then worked out a deal with a flour company:

Wills did not actually sell the show to the Red Star Milling Company. He wanted them to develop a new flour, to be labelled, appropriately, Play Boy flour, and advertise it only on his radio program. With such a procedure, they could determine just what results the show got. The company was to pay Wills a royalty for each barrel of flour sold. The contract was signed, and Play Boy flour was marketed for the first time in November 1935. In twenty-four months, Play Boy flour was selling as well as brands that had been on the market for forty years.

That's just a taste -- there was Play Boy Bread, performances at grocery store openings and bakers' conventions, and, in sacks of Play Boy flour, a picture of one of the Playboys and his favorite recipe. And there's even a song written by a fan in tribute to Play Boy flour.

(*That KVOO, 1170 on your AM dial, changed call letters and formats three years ago, and is now KFAQ, on which you can hear me Monday mornings at 6:10. One of KFAQ's FM sister stations kept the KVOO call letters. I wish the AM blowtorch had kept KVOO, too. Given what the letters stand for, KVOO seems appropriate for a news/talk station.)

MORE on Google Print: Eldon Shamblin remembers his early days with Bob Wills in The Jazz of the Southwest: An Oral History. And there was a sort of Texas Playboys farm system, which you'll read about in Southwest Shuffle: Pioneers of Honky-Tonk, Western Swing, and Country Jazz.

Roemerman on Record will be quiet for a while, as Steve Roemerman is off to Gretna, Louisiana, just across the Mississippi from New Orleans, with a group from his church to help Convoy of Hope. We'll keep Steve in our prayers and look forward to his report when he returns.

Our Tulsa World has added more video clips from Mayor Bill LaFortune's September 6 third-penny meeting at the Zarrow Library. This is a great service that Mr. Schuttler is doing by filming, converting, and posting these video clips. Too often the claims and promises made in this sort of meeting are lost to history. His summary of the meeting puts the clips in context. In another entry he has the response from Mayor LaFortune and Fire Chief Allen LaCroix to the question, "Are we prepared if Keystone Dam breaks?"

MeeCiteeWurkor has a special comments thread just for registering your opinion of the Tulsa Whirled. He's asking for submissions in a contest -- things you can do with a Tulsa Whirled. And he's about to add a new contributor to the blog.

City Councilor Chris Medlock has a recent entry on his proposal regarding the sales tax money currently going to Tulsa County for "4 to Fix the County." He says that the county is fixed now, and between the Vision 2025 sales tax and rising property taxes, the county is well fixed for funds. By denying a renewal of the 2/12ths cent "4 to Fix" sales tax, City of Tulsa voters could opt to pass the same size sales tax at the city level and earmark it for public safety.

Another noteworthy item on MedBlogged cites two Tulsa Whirled City Hall stories, one from 2002, one from last week. The March 2002 story has Mayor-elect Bill LaFortune saying he plans to have a direct, face-to-face relationship with the City Council, which lines up with my recollection of my first meeting with LaFortune as he started his run for office. The September 2005 story has councilors, including recently-elected Bill Martinson, complaining that LaFortune won't deal directly with the Council on issues like the new third-penny proposal.

Tulsa Downtown reports that new clubs are opening in the Blue Dome district.

Tulsa newcomer Joe Kelley has been trying the immersion approach to understanding his new hometown, and he's posted a list of some of the people he's met with so far, and would like suggestions for others he ought to talk to. About a week and a half ago, I introduced him to the tawook at La Roma Pizza (a Lebanese restaurant disguised as a pizzeria), and we had a very enjoyable conversation. He seems to be a very astute observer and a quick study.

Tulsa Topics has an audio tribute to Bob Wills and the Texas Playboys, including their radio theme song, "Okie Boogie," "Cadillac in my Model A," and tributes by The Tractors and Asleep at the Wheel. One thing I love about Bob Wills songs -- you don't need liner notes, because Bob tells you who's playing as the song proceeds.

As always, you'll find the latest and greatest entries from blogs about Tulsa news on the Tulsa Bloggers aggregation page.

Tomorrow is the fourth anniversary of the terrorist attack on America. As a way of remembering those whose lives were lost on that day, and those who, on behalf of our freedom and security, have paid the ultimate price since then, Tulsa will mark the date with a service of remembrance, featuring the performance of Mozart's Requiem. This solemn and moving setting of prayers for the dead, Mozart's last composition, will be performed at Trinity Episcopal Church, 501 S. Cincinnati, downtown Tulsa, tomorrow morning, Sunday, September 11, 2005, beginning at 8:46 a.m., the time when the attacks began.

This continues a tradition that began in 2002, when Tulsa was part of the Rolling Requiem -- performances of Mozart's Requiem in every time zone around the world, each beginning at 8:46 a.m. local time. In 2003 and 2004, Tulsa continued the observance on its own with Faure's beautiful Requiem.

Admission is free, and while you may miss Sunday school at your own church, the performance will be over in time for you to make your 10:30 service. It's important to remember, and I hope you'll be in attendance.