Behind the Big Eyes

Behind the Big Eyes : Vice

The Big Eye painting craze of the 1950s and 1960s, started by Margaret Keane, with many imitators. An excerpt from Citizen Keane: The Big Lies Behind the Big Eyes by Adam Parfrey:

"[Walter] Keane's fortune was made from a style stunning in its simplicity. Weeping waifs. Tearful children. All bearing hypnotic, saucer-size orbs. It was said that if you looked at them long enough, the distressed children seemed to stare at you, even if you moved about the room. "Let's face it," he boasted to Life magazine: "Nobody painted eyes like El Greco, and nobody can paint eyes like Walter Keane." More discriminating art enthusiasts, critics, and academics didn't quite agree, finding the paintings formulaic and sickening in their sentimentality. But the rest of America fell in love with Keane's Big Eyes, and he became a household name.

"Meanwhile, lurking in the background, and painting Keanes in a basement studio, was Walter's long-suffering wife, Margaret, the true artist behind the Big Eyes. But more on that later.

"As the Big Eyes grew in popularity throughout the 1960s, dozens of imitators moved to cash in on the Keane style. Big Eye prints sprouted like toadstools; "Gig" painted moony-eyed mongrels and alley cats; "Eden" did corkboard prints of Keane-like waifs dressed as moppets in tattered clothing; "Eve" transformed Keane-like kids into precocious go-go dancers. Even black-velvet iterations of Big Eye kitsch followed in their footsteps."